pillars of eternity white march part 2 ending

And so we look for opportunities to bring in these other areas of the world.” “It’s not really a globetrotting game, it’s more a region-trotting game. “Scale-wise, Pillars is similar to the Infinity Engine games,” Scokel explains. Realistically, we’ll never see all of the places referenced in its stories. But over the course of two games, his team have fleshed out Eoras with unique lore - some of which we only ever read about in books or told by NPCs. The world design of Pillars of Eternity began with Obsidian designer Josh Sawyer flipping over a map of the Forgotten Realms’ Dalelands. “One of the reasons we wanted to be funny,” Scokel adds, “was to lighten what could otherwise be a really experience.”

“It’s definitely an opportunity for us to show how people feel about this sort of thing, but also show the humour of it.” “We obviously don’t want to make an incredibly depressing piece of DLC,” Frey says. It’s something of a surprise: while there are dashes of dry comedy in the Pillars of Eternity series, it rarely feels as if it could indulge in a Fable-style slapstick aside.įor the DLC, though - a story about the ways people fight back against the inevitability of death in a world with magic, gods, and immortals - comedy became necessary. Throughout the quests and writing of Beast of Winter, dark humour has emerged as a consistent feature. “Which is an interesting note to kick off our DLCs on.” “All the Rymrgandian things - the inevitability of darkness and of endings. “There’s certainly a mood that the DLC has,” Scokel muses. Whether or not that’s who you want to be is a question you’re encouraged to start pondering in this DLC. Frankly, they can’t wait for the cataclysm.

The cult says you’re the harbinger of the end. “The world spins around the player, and these cultists have recognised that and placed you within the context of their own myths.” “There’s certainly a recognition of the destructive nature of a protagonist in an RPG,” he says. When asked whether Beast of Winter’s story is commentary on the player as a destructive force in the Archipelago, Scokel phrases it another way. “Because they respect the way that you go about messing things up.” “The people there throw a feast in your honour,” Scokel says. The locals call you Duskspeaker - they’ve seen the way death follows in your wake, and they’re really into it. Rymrgand, the beast of the DLC’s title, is the god of collapse: famine, plague, and disaster. You are cordially invited to an island at the very bottom of the map made home by the worshippers of Rymrgand.

“In DLC we’re able to stretch those legs a little.”īeast of Winter begins with a letter. “We don’t have to worry about making sure that every weapon has an animation associated with it - we can just make new stuff. “One of the real rewarding things about working on DLC is that the groundwork is done,” Beast of Winter narrative designer Alex Scokel tells us.

We consider the original Pillars of Eternity to be one of the best RPGs on PC. And you, the heroic Watcher, are being celebrated once again - but this time by some pretty unpalatable types. A new vein of dark comedy has opened up in the writing. The idyllic, Polynesian white sand and blue seas have been covered by snow and ice. That displacement had a knock-on effect on the rest of the game, which reimagined the isometric RPG as a swashbuckling adventure.īeast of Winter, the first of three planned paid DLC packs for Deadfire, flips the formula once again. Pillars of Eternity II is already a brave sequel - it pulls the series away from its nostalgic roots in the temperate woodland of Baldur’s Gate, and replants it in the Southern-Pacific-style island chains of the Deadfire Archipelago.

Pillars of eternity white march part 2 ending